Art and the Archive: Canon vs. Archive
Maryland Institute College of Art
October 5, 2021
90 minutes: 11am PT, 12pm MT, 1pm CT, 2pm ET USA
In this conversation, Josh T. Franco, National Collector at the Archives of American Art and Sarah-Neel Smith, Art History, Theory and Criticism at Maryland Institute College of Art will re-envision the notion of the art historical canon through a discussion of their work in and outside of archives. In his role, Franco works to identify, investigate, and acquire personal papers, institutional records and other primary sources that tell the stories of American art. Smith’s research focuses on modern and contemporary art, especially artistic exchanges and the Middle East.
Register in advance: https://mica-edu.zoom.us/meeting/register/tJAtduihrD0pHNcHBNX8kUOFMjcw0UHi3uQq
Art & The Archive, launched Fall 2020, is a conversation series that explores the role of the archive in the production of art and culture. Featured speakers include writers, archivists, artists, and researchers who all engage with archives in meaningful ways. Attendees can expect a lively, expansive discussion of how archives unfold in our everyday lives.
This conversation is sponsored by Decker Library, in collaboration with the Art History Department.
Art in Context: Identity, Ethics, and Insight
Philadelphia Museum of Art Virtual Symposium
Friday, November 19, 2021
Libraries, archives and museums have long had systems in place to manage identities (e.g. Library of Congress and Getty authorities) to help organize and share resources. Great responsibility is attached to this work due to the complexities surrounding assignments of identity. Identity is complex, fluid, and multilayered. It is public, yet deeply personal, therefore there is much to be considered.
How can we ethically and responsibly manage identities in today’s rapidly-changing technological landscape? How do we leverage new technologies such as Conceptual Reference Models, Linked Open Data, Wikidata, Wikibase, etc. for more ethical and democratic management without losing the work and context that’s already been done in long-established authorities such as the Getty and LOC? What actions are we putting in place now to prepare for a better, more ethical future in identity, archival practices, cataloging, and other information management concepts? What are the best practices for soliciting and capturing the identity of living artists and also for respecting those who are deceased or are otherwise unable to identify themselves?
While we may not have answers to all of these questions, join us as we explore these issues in the Philadelphia Museum of Art’s fall Art Information Commons Symposium and share what folks have been doing to tackle some of these ideas.
Moderators and speakers include:
- Steven J. Baskauf, Data Science and Data Curation Specialist, Jean & Alexander Heard Libraries, Vanderbilt University
- Tanya Calvin, Community Engagement Archivist, Black Metropolis Research Consortium Zakiya Collier, Digital Archivist, Schomburg Center for Research
- Alex Kapitan, trainer, speaker, consultant, editor, and activist, Radical Copyeditor
- Alex Kron, Digital Projects and Collections Specialist, Balboa Park Online Collaborative
- Bree Midavaine, Taxonomist, Philadelphia Museum of Art
- Sarah Osborne-Bender, Head of Library Technical Services, National Gallery of Art
- Gala Porras-Kim, Contemporary Interdisciplinary Artist
- Synatra Smith, CLIR/DLF Postdoctoral Fellow in Data Curation for African American Studies, Philadelphia Museum of Art/Temple University
Free RSVP required by November 1.
The Art Information Commons creates new possibilities for our audiences to discover meaningful connections between our art objects and related contextual resources, supports broader scholarship, and establishes the museum as a vital and reliable source of accessible, authoritative information. Support for this project has been generously provided by The Andrew W. Mellon Foundation.