Category Archives: Local Projects

Duchamp Research Portal Launched

The Philadelphia Museum of Art is pleased to announce that the Duchamp Research Portal ( is now live! It provides free access to more than 18,000 documents and artworks, comprising nearly 50,000 digitized images related to the work and life of Marcel Duchamp.  
The cross-cultural and multilingual portal is the outcome of a seven-year partnership between the Philadelphia Museum of Art, the Association Marcel Duchamp, and the Centre Pompidou. Among the wealth of resources available in the portal are the vast Alexina and Marcel Duchamp Papers and Arensberg Archives at the Philadelphia Museum of Art, the archival collections of the Association Marcel Duchamp, the André Breton and Constantin Brancusi collections at the Centre Pompidou, and holdings relating to major Duchamp retrospective exhibitions held in Philadelphia in 1973 and at the Centre Pompidou in 1977. The archive also contains materials linked to the development and installation of the artist’s final major work, Étant donnés 1° la chute d’eau, 2° le gaz d’éclairage (Given: 1. The Waterfall, 2. The Illuminating Gas) (1946–66). 

 This pioneering cross-institutional initiative—employing linked data and deep zoom IIIF images—is the premier resource for anyone interested in studying one of the twentieth century’s greatest and most enigmatic artists For more information or questions, contact 

Art in Context: Identity, Ethics, and Insight (Virtual Symposium) – November 19

Art in Context: Identity, Ethics, and Insight
Philadelphia Museum of Art Virtual Symposium
Friday, November 19, 2021
1:00pm-3:30pm ET

Libraries, archives and museums have long had systems in place to manage identities (e.g. Library of Congress and Getty authorities) to help organize and share resources. Great responsibility is attached to this work due to the complexities surrounding assignments of identity. Identity is complex, fluid, and multilayered. It is public, yet deeply personal, therefore there is much to be considered.

How can we ethically and responsibly manage identities in today’s rapidly-changing technological landscape? How do we leverage new technologies such as Conceptual Reference Models, Linked Open Data, Wikidata, Wikibase, etc. for more ethical and democratic management without losing the work and context that’s already been done in long-established authorities such as the Getty and LOC? What actions are we putting in place now to prepare for a better, more ethical future in identity, archival practices, cataloging, and other information management concepts? What are the best practices for soliciting and capturing the identity of living artists and also for respecting those who are deceased or are otherwise unable to identify themselves?

While we may not have answers to all of these questions, join us as we explore these issues in the Philadelphia Museum of Art’s fall Art Information Commons Symposium and share what folks have been doing to tackle some of these ideas.

Moderators and speakers include:

  • Steven J. Baskauf, Data Science and Data Curation Specialist, Jean & Alexander Heard Libraries, Vanderbilt University
  • Tanya Calvin, Community Engagement Archivist, Black Metropolis Research Consortium Zakiya Collier, Digital Archivist, Schomburg Center for Research
  • Alex Kapitan, trainer, speaker, consultant, editor, and activist, Radical Copyeditor
  • Alex Kron, Digital Projects and Collections Specialist, Balboa Park Online Collaborative
  • Bree Midavaine, Taxonomist, Philadelphia Museum of Art
  • Sarah Osborne-Bender, Head of Library Technical Services, National Gallery of Art
  • Gala Porras-Kim, Contemporary Interdisciplinary Artist
  • Synatra Smith, CLIR/DLF Postdoctoral Fellow in Data Curation for African American Studies, Philadelphia Museum of Art/Temple University

Free RSVP required by November 1.

The Art Information Commons creates new possibilities for our audiences to discover meaningful connections between our art objects and related contextual resources, supports broader scholarship, and establishes the museum as a vital and reliable source of accessible, authoritative information. Support for this project has been generously provided by The Andrew W. Mellon Foundation.