ARLIS/NA Mid-Atlantic

The Mid-Atlantic Chapter of the Art Libraries Society of North America

Category: Member Posts (page 1 of 19)

Report from 2017 ARLIS/NA Annual Conference in New Orleans

Submitted by Siân Evans, Instruction Librarian, Maryland Institute College of Art

I’m so grateful to the chapter for granting me the Caroline Backlund Professional Development Award to attend ARLIS NA’s 45th Annual Conference in New Orleans. It was my fifth (!!) ARLIS but the first one I’ve attended as a practicing librarian, as I was previously employed at Artstor, so there was a lot to learn!

The award was particularly helpful for me, this year, as I was co-presenting with my colleague, Jenny Ferretti, in the session “Critical Information Literacy in Art and Design Libraries.” Which brings me to my takeaways! There’s always so much to bring back from national conference attendance, so I’m going to focus on some of my favorite sessions and meetings. I absolutely loved Stephanie Grimm’s presentation entitled, “Breaking the Stereotype: Critical Visual Literacy for Artists and Designers.” It was truly one of the highlights of the conference for me (and Stephanie is a new Mid-Atlantic Chapter member!). I would love to see more active learning examples in presentations on instruction and information literacy at library conferences, because it puts us (the librarians) in the role of learners and really approaches professional development as praxis. Stephanie did just that by having the audience participate in an exquisite corpse activity designed to have illustration students think critically about stereotypes and archetypes. This session was recorded, so if you weren’t able to attend, you can see her presentation here.

Because this is my first year as an Instruction Librarian, I spent a lot of my time attending teaching-heavy panels. I really enjoyed the panel, “When Research Doesn’t Start with a Question: Teaching the Framework within Art and Architecture Librarianship.” Stephanie Grimm, Ellen Petraits, John Dixie, and Courtney Baron all touched upon developing rubrics and learning outcomes around the ACRL Framework. I particularly appreciated Shannon Marie Robinson’s question: “how do we teach one-shots to whole humans?” Therein lies the challenge!

I also really enjoyed the “Visual Literacy for For All!” panel. In particular, Mackenzie Salisbury’s presentation on teaching with Google Images was so helpful that I reached out to her after the conference for her lesson plan. Along similar lines, Shira Loev Eller and Rachel Pollack’s presentation in the “Instruction In Sync: Faculty Librarian Collaborations” was super helpful as I start to map out our Information Literacy Program here at MICA, and think about places the library could be embedded throughout our curriculum.

I was also happy to see how many people attended the Diversity Forum and I really hope to see more of this kind of work at local and national levels within ARLIS/NA and throughout our field. I mean, there’s a lot of work to be done when you’re talking about making a field that is 87% white more equitable and it’s on us to do it! I hope that next year we can build on that conversation to take some more concrete steps towards inclusivity.

So, there you have it! My NOLA takeaways… And, of course, there were all the beignets and to go drinks!

The Lillian Thomas Pratt Archives and Fabergé at VMFA

The Lillian Thomas Pratt ArchivesThe Margaret R. and Robert M. Freeman Library at the Virginia Museum of Fine Arts is happy to announce the launch of its first digital archive, which documents the formation of the museum’s world-renowned Fabergé and Russian decorative arts collection at http://faberge.vmfa.museum/. This project was made possible in part by the National Endowment for the Humanities: Celebrating 50 Years of Excellence.

Bequeathed to the museum upon her death in 1947, Lillian Thomas Pratt’s Fabergé collection consistently remains one of the highlights of the museum’s permanent collection. In 1917, Pratt married her second husband, John Lee Pratt, a self-made millionaire engineer and businessman with General Motors. She began purchasing her collection of over 500 items, while accompanying her husband on business trips to New York City in the 1930s and 1940s. She eventually bought five of the 52 Russian Imperial Easter Eggs created by the Fabergé firm. Comprised of correspondence, invoices, price tags, and detailed item descriptions, the archive illuminates Pratt’s mind as a collector, as well as the close relationship she formed with New York based art dealers Alexander and Ray Schaffer, owners of the prominent art and antiques gallery A La Vieille Russie.

sc07_02_2_020_v1_tf_201512_o2In all, over 700 items have been digitized, resulting in 1,500 downloadable image files, all of which are available to the public via a new online portal dedicated to digital resources about Fabergé and Russian decorative arts. The website provides access to the digitized Pratt archive, newly filmed videos of the Imperial Easter Eggs opening, new 360° views of the Imperial Easter Eggs, and downloadable resources for educators. The website also links to the new free Fabergé at VMFA mobile application that allows users to explore the collection through five different historical perspectives and design and share a Fabergé mini egg.

Powered by Piction, the museum’s digital asset management system, the launch of the portal coincides with the highly anticipated return of the Fabergé collection, which will be displayed in a new suite of renovated galleries opening to the public on October 22.

Courtney Yevich Tkacz
Archivist
Virginia Museum of Fine Arts

Margaret R. and Robert M. Freeman Library
200 N. Boulevard / Richmond, VA 23220-4007
T 804.340.1497 / F 804.340.1431
email: courtney.tkacz@vmfa.museum

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